Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Morker, Michael | Le dialogue comme geste musical spécifique: Le cas de la musique baroque en Allemagne centrale. [Dialogue as a specific musical gesture: The case of Baroque music in central Germany] |
CahiersCIREM |
| 26-27 | Dec-Mar 1992-93 |
25-30 |
|
| 2. | Castenet, Pierre-Albert | Les postulats primordiaux et le paradigme de modernité. [Primordial postulates and the paradigm of modernity] |
CahiersCIREM |
| 28-29 | Jun-Sep 1993 |
113-123 |
|
| 3. | Quetin, Laurine | Représentation d'opéra et distribution vocale: J. C. Bach et Mozart. [Performance of an opera and the distribution of voices: J. C. Bach and Mozart] |
CahiersCIREM |
| 37-39 | Sep-Mar 1995-96 |
15-24 |
|